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Showing posts with label Harlequin Historical. Show all posts
Showing posts with label Harlequin Historical. Show all posts

Saturday, December 12, 2009

Hudson Valley Romance Writers of America


Hello Fellow Writers!

Yesterday I wrote just 500 words since my son wouldn't let me sit down to write until almost 10pm! I've been wondering if I should try making my short Regency romance targeted towards Ellora's Cave instead of Harlequin Historical Undone. Ellora's Cave e-publishes erotic romance, so I would be writing a very different story than what I would be writing for Undone!

Tomorrow I will be having my first day of work at my new job, but afterward I intend to blog a bit more about erotic romance and specifically Ellora's Cave.

Today I went to the monthly meeting of the Hudson Valley Romance Writers of America. It was so wonderful to meet and listen to all of the women there, many of whom are published authors. Multiple published author Janet Lane Walters was very informative and friendly. Here is an excerpt from an interview with Janet from the Hudson Valley RWA site. Read the whole article here.


Are you a plotter or pantster?

Would you believe a bit of both? I do plan my stories but the outline is broad and allows for changes in what I’m writing. As I begin the rough draft much changes and veers from the original plan. Two things remain constant, the beginning and the end. The middle is where I allow my imagination free reign. Take the story I’m working on now. During the rough draft, two of the characters changed places. The reason behind the change came while I was writing the chapter when one of the characters emerged for the first time. Suddenly the light bulb flashed and I knew the secondary character who was the hero’s sister should become his brother and the character I had thought would be the heir became the daughter. The change strengthened the story. So outlines have a purpose but so does flying free.
Tonight I'm going to think more about trying my hand at writing a short erotic romance. While I'm pretty sure I can write it, I'm having a hard time imagining myself being able to read it aloud to my writing group! *blushes*

Wish me luck, and good luck to you too!
Yours Truly,
Shoshanna Evers

Thursday, December 10, 2009

Research for Your Novel


Hello Fellow Writers!

Yesterday I started writing a historical romance that I'm targeting towards Harlequin's Historical Undone line. As I write, I'm not letting myself get bogged down in details (like what exactly would her wedding dress look like in 1820?). Details involve research, and that's for later, after the main story is down on paper. Otherwise I have a feeling it will never get written!

So how do you do research for your novel? I found an article online here at EzineArticles.com by John T. Jones, PhD.

How do you start writing a novel?
The first thing I do is decide the genre and the setting.
I suppose you saw some version of Back to the Future. Here the setting is changing not because of location, but because of time period. Flashing back or forward changes the appearance of the same location. The setting is new, isn’t it?
Genre is the type of novel you are writing. That could be a western, action, romance, detective, mystery, gothic, or what ever you decide to dream up.
Science fiction would be another genre.
Did you notice a possible change in the genre in one version of Back to the Future? The kid on the skateboard changed to a gun-totting westerner. Well, it was still science fiction.
The setting is where the action takes place. If the action is in the present, you will not have a great deal of research to do on the time period of the action. However, if the action takes place in 1850 or 130 B.C., you must do research on that time period as was done in Back to the Future.
Once you have decided where the action is to take place and in what time period, you can define your characters. Here are some things to consider:
Names:
Does the name of each character fit into the location and time period?
Don’t call your Viking raider, Joe.
Try Eric the Mad or some such.
Language:
What would the language be of your character?
If he lived in 1750 in London, what phrases would he use?
What would he sound like?
That will depend on his class won’t it?
A London cobbler would not sound the same as the Captain of the King’s Guard would he?
What about the King himself?
How would he sound? What vocabulary would he use?
Here is a Warning:
Don’t write a period novel if you are not willing to obtain the education and knowledge you will need to write it.
The key to good writing is to write about things you know and understand.
Of course, if you are writing science fiction, you can do anything you darn please as long as it “rings true” to science fiction readers.
That’s why the advice often given to writers is to read heavily in the genre in which they intend to write.
That’s one way to get an education, isn’t it?
Dress
If you met a man in Walgreen wearing a silver body-tight jumpsuit and having antenna sticking out of a gold helmet, you would think: That guy isn’t from here!
If your character walks into a Wild West bar in 1850 wearing a green suit, you will have some explaining to do. My guess would be that he is Irish and will be asking for a Guinness. Note: Guinness started in 1759 but I doubt that you would find it in the Wild West in 1850.
Dress must be consistent just as language is important. You need to know the local dress, not some stereotype dress you saw in a “B” movie.
Dress is also characteristic of vocation and class. A banker, a blacksmith, a millwright, etc., would all be differently dressed in the same location during the same time period.
Early settlers from Texas in Arizona could be told by their hats.
Other Factors:
If your character is a nurse, you must know something about how a nurse performed at her location and during her time period.
Don’t have that soldier shoot someone with a Winchester during the War of 1812. Oliver Winchester was born in 1810.
Each character needs a history. A person’s history at least in part determines his or her actions. You may never mention such a history in your novel, but you must know it.
Each character needs characteristics. You may never mention most of them but you must know them. These are the things that in combination make your character distinct from all other characters in the world. Take Superman for instance or Henry the Eighth.
The bottom line is that all things must be consistent and logical if you want your novel to fly.
If something is strange, you have some explaining to do.
How to do Research
The easiest way to do your research is by reading in your genre.
I don’t like reading most novels. Therefore I do research on the time and place.
I like to start with a map of the area. Then I like to read the history of the area even before the time period determined. I read history books, old magazine articles, Internet articles, etc. I like to visit the area and visit museums and historical societies. I like to talk to the people, especially the old timers that have significant tales to tell.
Go into book stores, yard sales, book sales, junk shops, antiques shops, and other places you can pick up magazines and books for a song. Look at the stuff they are selling in antique shops and ask about the history of unusual items. The way you do that is to say this: What is that thing?
In a way, it is much like being a newspaper reporter. I like to search old newspapers for interesting stories to see what other “reporters” have done.
Look in old encyclopedias, catalogs, and almanacs. You will be surprised what you can learn.
When I was writing Revenge on the Mogollon Rim, I decided to read one of Zane Grey’s novels, the settings of which was in the areas near my home in Arizona.
I knew something about Zane Grey because I was a guide and worked on exhibits for the local museum.
I expected to help in the rebuilding of his cabin that was destroyed in the Dude Fire. However, I moved from the area (Payson, AZ) before that task was started.
Anyway, I was reading his novel and came up on a phrase that didn’t seem right to me. It was a view his character saw from the Mogollon Rim. I didn’t think he had it right. I drove to the Rim and parked very near the place he described. Then I saw that Zane Grey had described the view perfectly. Mountains don’t move that fast.
It’s a good idea to know your subject, your location (setting), and your characters before you start writing the novel. Well, don't let that stop you. You can fill in the blanks later.
Just don’t let some bold character take over your book.
Writing, how to write, setting, characters, language, characteristics, history, time period, research
John T. Jones, Ph.D. (tjbooks@hotmail.com), a retired college professor and business executive, Former editor of an international engineering magazine. To learn more about Wealthy Affiliate University go to his info site. If you desire a flagpole to Fly Old Glory, go to the business site.
More info: http://www.InternetBusinessToolCenter.com
Business web site: http://www.AAAFlagpoles.com
This is all wonderful advice, but one thing bothers me a bit. Did you notice how he said that he doesn't like to read most novels? I can't even imagine not liking books, especially for a writer! Reading is such a huge part of my life. I love novels.

Yesterday's writing group was canceled due to inclement weather, but my romance novel loving friend Maureen said she would go with me on Saturday to the Hudson Valley Romance Writers of America monthly meeting.

Today I have a big day. I'll be going to a job interview for a nursing position that's every other weekend, which would be perfect for me since I could still stay home with my baby and write! Also, tonight is my 3 year wedding anniversary with my darling husband Jeff.

Wish me luck, and good luck to you too!
Yours Truly,
Shoshanna Evers

Tuesday, December 8, 2009

Writing a Short Story


Hello Fellow Writers!

I'm still in a bit of shock that I actually found the courage to send a query and synopsis to Harlequin for my romance "The Movie Star's Very Personal Assistant". My husband used to warn that I was going to spend all my time writing and never get published because I refused to put myself out there and risk rejection.

Then I realized that it doesn't matter if a manuscript gets rejected, because I can always write another one.

Since I recently finished writing the first draft of another novel length romance ("Snowed in With a Millionaire") I've been toying with the idea of writing a short story. Why toy, you ask? Why not just write the darn thing? Good question, and you're right. My plan for today, if my baby allows it, is to read a Harlequin Historical Undone online and then try my hand at it. I love historical romance but every time I try to write one I find myself getting caught up in all of the little details that need to be researched.

So I think what I need to do is write a first draft, details be damned, and then go back in and do the research during the editing process. Otherwise I get jammed up in the middle of trying to write by googling Regency era underwear.

Since Harlequin Historical Undone stories are 10K -15K words, here is an excerpt of an essay entitled "How to Write a Short Story" by Paul Saevig, from Author-Network.com. Read the whole article here.



1. Immerse yourself in language.
To be ready to write a story in English, your consciousness must be steeped in the best writing in English throughout history. Consider someone who wants to compose music. Before doing that, she probably performs in a band, and before that, she probably studies singing or an individual instrument. She learns how to read music, she studies harmony, she listens to all kinds of good music for years, and she may study at a conservatory. Wynton Marsalis didn't just decide to go into his first recording studio to play the trumpet one rainy day while he was recovering from the flu.
Author Dean Koontz is on record as opposing "literature writing", which is what he calls the classics. But he suggests no alternative for the best and most elegant writing of the ages. He is one of the rare few successful writers without much formal training. His critics insist they can tell the difference in his writing.
If you want to write stories, you should study the literary form. You should study the great masters of storytelling, starting with Homer and progressing to Stephen King and John Irving,, and specifically the great masters of the short story, starting with Turgenev and Chekhov. Read as many books as you can find. You must read classics, not just current popular books. Tolstoy will teach you more about writing than Dean Koontz. You are steeping yourself in language. Keep a journal. Write letters (not just Emails) to your friends. Take writing classes.
2. Think of an idea for a story.
To a trained writer, this idea usually comes in a flash, you have to know how to cultivate the flash. Usually one element of the idea is settled from the start: "I want to write a story about my Uncle Leo" or "The summer we lived in Honolulu" or "The day President Kennedy was shot".
What about that summer we lived in Honolulu, then? Concentrate on what makes that experience significant to you. What other idea would you like to attach to it? Suppose it were "the professional surfers".
That gives you "the professional surfers the summer we lived in Honolulu". What about them to you want to write a story about? Maybe it would be "the surfer who stole my sister's wallet".
"The professor surfer who stole my sister's wallet when we lived in Honolulu one summer". That's a start.
3. Figure your angle.
"Angle" is a journalistic term meaning significance. You need to decide the angle or significance about this larcenous surfer. Your story could be about the theft itself, or tracking him down afterwards, or deciding not to prosecute him and meeting up with him again, or dozens of other alternatives.
If you can't determine an angle, return to Number 1 and tinker with your idea. Maybe you need a new one.

I just finished reading a Harlequin Presents book by Caitlin Crews called "Pure Princess, Bartered Bride". Wow, what a fun read! I picked it up and was halfway through before I even realized what happened. I'll definitely be looking for her future books. She also writes chick lit under the name Megan Crane.

So today I'll be reading a Historical Undone, and hopefully getting started on a short story of my own. Tomorrow I'll be meeting with my writing group. I've sent them Chapter 2 of my WIP so we'll see what they say about that...

Wish me luck, and good luck to you too!
Yours Truly,
Shoshanna Evers

Tuesday, November 17, 2009

Julia Justiss: Advice for Writers


Hello Fellow Writers!

Yesterday I upped my word count for my WIP, "Snowed in with a Millionaire", to 33,400 words and counting.

I've been enjoying reading a Regency from Harlequin Historical by Julia Justiss, so here is her advice for writers, from her website at JuliaJustiss.com. She's written numerous Regency romance novels for Harlequin.
On Writing and Reading…
What do you love most about being a writer?
Creating characters that will entertain and involve readers; setting them in a world that can for a few hours transport people (including me) to another time and place.
What do you like least about being a writer?
Worrying that my next book might not be as good as my last or won’t sell well enough for me to keep writing!
Do you have a favorite locale or setting for your novels? What is it and why is it your favorite?
All my books thus far have been set in the English Regency. It’s a glamorous era full of contrasts: elegant ladies and gentlemen, rough sailors and highwaymen and smugglers, enormous conflicts both domestic and international, all wonderful backdrops against which to set that most fundamental of stories: the search by one man and one woman for true, everlasting love.
Which of the books you have written is your favorite?
That’s like asking a mom which of her children is her favorite! I suppose my favorite characters have been Hal Waterman, from Wedding Gamble and A Most Unconventional Match, and Tony Nelthorpe from Wicked Wager and the on-line read By Honor Bound.
What is your favorite recent Mills & Boon or Silhouette or MIRA title by another author?
That’s as difficult as picking a favorite from my own books! Since I love all the authors from the historical line, I’ll just mention two authors I have followed for some years now, who have recent releases: Carla Kelly (Marrying the Captain) and Amanda McCabe (High Seas Stowaway). For MIRA, I loved Deana Raybourne’s two historical mysteries, Silent in the Grave and Silent in the Sanctuary.
What are your five all-time favorite books (with authors)?
Gone With the Wind by Margaret Mitchell
One Good Turn by Carla Kelly
Rogue’s Wager by Loretta Chase
The Far Pavilions by M.M Kaye
Flowers from the Storm by Laura Kinsale
What one specific piece of advice would you give a would-be writer trying to kick-start a career?
Believe in your gift and be persistent. The path to becoming and staying published is difficult, but if writing is all you really want to do, what makes you feel most fulfilled and happy, then keep at it, regardless of rejections and setbacks.
Check out her website for the rest of the interview. Today I'll be increasing my word count to 35,500. I'll also be buying a new (used) car tonight, since our car is acting up for the last time. That might affect my ability to make my word goal, but I'll do my darndest to not let it!

Wish me luck, and good luck to you too!
Yours Truly,
Shoshanna Evers

Monday, November 16, 2009

Questions to ask your Characters


Hello Fellow Writers!

I wrote 3,000 words yesterday, bringing me up to 31,000 words. I'm actually ahead of schedule for completing my 50,000 word category romance novel by November 30th.

I'm starting to get to know my characters better. I have a feeling that when I finish my novel and go back to the beginning to reread it, I will have a new understanding of whether or not my hero and heroine are behaving in accordance with their character. I can't go back now, though. The only way for me to finish this first draft is to plow ahead. If I go back, I'll start revising, and that's not productive right now.

See, I love revising. I could revise a novel forever and be a happy camper. That's why I need to lock up my internal editor in order to get a first draft finished.

From WritingClasses.com, here is a list of questions that you can ask about your character in order to gain a better understanding of what your character is like. Check out the website for a second character questionnaire.

Character Questionnaire 1
This questionnaire is found in Gotham Writers’ Workshop’s Writing Fiction.
You might start with questions that address the basics about a character:
• What is your character’s name? Does the character have a nickname?
• What is your character’s hair color? Eye color?
• What kind of distinguishing facial features does your character have?
• Does your character have a birthmark? Where is it? What about scars? How did he get them?
• Who are your character’s friends and family? Who does she surround herself with? Who are the people your character is closest to? Who does he wish he were closest to?
• Where was your character born? Where has she lived since then? Where does she call home?
• Where does your character go when he’s angry?
• What is her biggest fear? Who has she told this to? Who would she never tell this to? Why?
• Does she have a secret?
• What makes your character laugh out loud?
• When has your character been in love? Had a broken heart?
Then dig deeper by asking more unconventional questions:
• What is in your character’s refrigerator right now? On her bedroom floor? On her nightstand? In her garbage can?
• Look at your character’s feet. Describe what you see there. Does he wear dress shoes, gym shoes, or none at all? Is he in socks that are ratty and full of holes? Or is he wearing a pair of blue and gold slippers knitted by his grandmother?
• When your character thinks of her childhood kitchen, what smell does she associate with it? Sauerkraut? Oatmeal cookies? Paint? Why is that smell so resonant for her?
• Your character is doing intense spring cleaning. What is easy for her to throw out? What is difficult for her to part with? Why?
• It’s Saturday at noon. What is your character doing? Give details. If he’s eating breakfast, what exactly does he eat? If she’s stretching out in her backyard to sun, what kind of blanket or towel does she lie on?
• What is one strong memory that has stuck with your character from childhood? Why is it so powerful and lasting?
• Your character is getting ready for a night out. Where is she going? What does she wear? Who will she be with?
Today my goal is to get to 33,000 words. I'm also enjoying reading a Harlequin Historical novel. It's called "From Waif to Gentleman's Wife" by Julia Justiss. Reading a Regency always has me itching to try and write a historical novel, but the few times I've started writing one I found myself caught up in research and neglecting the actual writing. I intend to remedy that at some point, perhaps after NaNoWriMo is over.

Wish me luck and good luck to you too!
Yours Truly,
Shoshanna Evers

Sunday, November 15, 2009

Harlequin Historical Undone Guidelines



Hello Fellow Writers!

Yesterday I spent five hours drinking coffee and racking up my word count at the Panera in Fishkill NY. It was a blast! I'm having so much fun hanging out with fellow NaNoWriMo participants that I will be very sad to see November end. Usually writing is a very solitary sport. It feels motivating to make it a group venture.

I wrote two thousand words on Friday and four thousand words yesterday, so now I have a total of 28,000 words. That's 100 manuscript pages. And here's the scary part - I recently ran out of plot! That's right. I spent three weeks writing a 40 page plot outline that took me almost to the end of my story, and now I am forced to throw the darn thing out and write by the seat of my pants.

It all started when I had planned for a love scene and realized that my hero and heroine weren't ready for that. So the plot is gone. Now the characters are running the show!

I think after November is over I will take a break from "Snowed in With a Millionaire" and let it percolate a bit. During that time I'll try my hand at a shorter piece, perhaps something for Harlequin Historical Undone....

Here are the guidelines, from eHarlequin.com:

Writing Guideline
Harlequin Historical Undone
Word Length: 10–15,000 words
Format: eBooks
Senior Editor: Linda Fildew
Editor: Sally Williamson
Editorial Assistant: Mimi Berchie
Editorial Office: London, U.K.
If you've always wanted to write for Harlequin Historical, but were daunted by the length, now is your chance to submit something shorter!
The response to Harlequin Historical's more sensual story lines have been so positive that we are creating a new eBook sexy short story program—Historical Undone.
In Historical Undone we are looking for a high level of sensuality that flows naturally out of the plotline. There should be a strong emotional basis to the heightened attraction—it's vital the reader can believe in the intense emotion driving the characters as their relationship develops. These stories should be hot, sexy and subtly explicit without the lovemaking being vulgar or gratuitous.
Whether you choose a dark and devilishly sexy Regency rake caught in a compromising situation with a headstrong miss, or a courageous Saxon lady held captive by a powerful Norman warrior, your characters should be fully fleshed out and should be the main focus of the story.
The history should be well researched in order to give an authentic sense of period without taking over from the romance. We are happy to consider stories set in ancient civilizations up to and including the First and Second World Wars. What remains ever popular are the Regency tales, which could see your characters scandalizing high society or being drawn into a salacious underworld inhabited by pickpockets and courtesans!
We are also open to slightly different elements from those normally found in Harlequin Historical books. Please feel that you can explore aspects of the paranormal and time travel.
You do not need to be agented to send material to us. We are actively looking for talented new authors and wish you every success with your submissions.
Only complete manuscripts submitted electronically will be considered—no partials or queries, please. Submissions should be sent as a Word-compatible attachment. Submissions should also follow standard formatting guidelines and should be double-spaced and typed in a clear, legible font on numbered pages. Author name and title should appear as a header or footer on each page.
Historical Undone e-mail address: undone@harlequin.ca
Today I plan on bringing my word count up to 30,000 words. I'll be attending another write-in at Panera today as well. In fact, I'm running late so off I go!
Wish me luck, and good luck to you too!
Yours Truly,
Shoshanna Evers